Southeast Asia: Art History, Art Today

Author: Patrick D. Flores
Origin: GUGGENHEIM UBS MAPS
Time: 2012, OCT
Keywords: Philippines, Southeast Asia art, modernity in Asia


Abstract
Southeast Asia may further be regarded as a geopolitical field, the scene of colonial expansion by the Portuguese in Eastern Timor; the British in Malaya, Burma, and Northern Borneo; the Dutch in Indonesia; the Spanish and Americans in the Philippines; and the French in Indochina (Cambodia, Vietnam, and Laos), with Siam as a buffer state. In an earlier time, the region was vaster, encompassing parts of China, India, and the Pacific. Southeast Asia may also be seen as a place where religions such as Christianity and Islam have undergone localization, exemplified by the only Catholic nation in Asia, the Philippines, and the world's most populous Islamic country, Indonesia. Links may be drawn from this colonial phenomenon to events ranging from the Cold War era that began in the late forties to the post-independence period, which spanned the rise of authoritarian states and the struggle for representation and justice, through the 1990s; the Vietnam War; the Asian financial crisis of 1997; and increasing terror and counter-terror operations after 9/11. The establishment of the Association of Southeast Asian Nations (ASEAN) in 1967 clarified the status of Southeast Asia as a geopolitical, not merely geographical, category—a distinction that remains in place. Finally, Southeast Asia may be traced to a deeper Austronesian history. [......]