關於Project Glocal亞洲城市串流：穿（景）[1]
達鴦•雅洛拉（Dayang YRAOLA）
2012年由新加坡國際基金會贊助的Project Glocal計劃[2]在新加坡美術館8Q分館的最後一次藝術家演說時，有位藝術家建議下一步最好是讓藝術家在所到訪的城市裡創作。這樣的建議源於該位藝術家觀察到，Project Glocal計劃裡有種彼此激盪的發展作用。
從原本號召作品前來展出，無論實際創作或者現地製作概念，如今計劃已至最後一哩，大膽地呈現由參與藝術家在各自城市以及遠赴異地與合作夥伴的共同創作。這是絕佳的試練，讓藝術家更加親近。儘管藝術家在進駐的創意試練，仍帶著個別城市的議題。因此，我們建議採取「（藝術）進駐」的形式。
Project Glocal 2014: TRANSI(EN)T
About Project Glocal 2014: TRANSI(EN)T
Dayang YRAOLA
During the last artist talk for Project Glocal 2012 in 8Q Singapore Art Museum, sponsored by the Singapore International Foundation, an artist suggested that the next best step for the project is to have the artists make the work in the city that they are visiting. That suggestion was coming from what the artist observed as an oscillating development in Project Glocal.
From hauling-in finished works for exhibition (either actually the work or the idea for site-specific work,), the project on its last-leg, braved to present collaborative works done by participating artists while they were in their respective cities and remotely located from their collaborators. It was a good exercise that allowed the artists to become more intimate. The artists though, in the latter creative exercise, still carried with them issues of their own city. A sort of residency format was then suggested.
Dayang YRAOLA
During the last artist talk for Project Glocal 2012 in 8Q Singapore Art Museum, sponsored by the Singapore International Foundation, an artist suggested that the next best step for the project is to have the artists make the work in the city that they are visiting. That suggestion was coming from what the artist observed as an oscillating development in Project Glocal.
From hauling-in finished works for exhibition (either actually the work or the idea for site-specific work,), the project on its last-leg, braved to present collaborative works done by participating artists while they were in their respective cities and remotely located from their collaborators. It was a good exercise that allowed the artists to become more intimate. The artists though, in the latter creative exercise, still carried with them issues of their own city. A sort of residency format was then suggested.
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